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Two Memories

Surprises Abound

The Daily

Jan 12, 2024 This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Sep 15, 2023 This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.

May 27, 2021 First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Living Memories

The Daily

Mar 15, 2024 Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.

Feb 13, 2023 Spirits of the dead, obsessive lovers, and fiery dancers ignite the screen in the work of the great Spanish filmmaker.

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Mar 28, 2019 Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

October Books

The Daily

Oct 24, 2023 The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.

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