Time

Oct 31, 2025 — A packed batch this week, from die-hards by Kiyoshi Kurosawa and Jacques Tourneur to new films by Kathryn Bigelow and Radu Jude.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Oct 29, 2025 — In her intensely personal debut feature, the filmmaker and poet investigates the myths that have shaped South African history through a mix of archival footage, poetic remembrances, and conversations with friends and family.

Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.

Oct 24, 2025 — It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.

Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.

Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.

Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.