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The Professor

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Aug 14, 2006 “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

Apr 29, 2026 Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.

Jul 9, 2007 The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...

Mar 18, 2019 The artist and pioneering lesbian filmmaker leaves behind paintings, writings, nearly eighty films, and a grant for aspiring filmmakers.

Sep 26, 2017 The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Feb 27, 2017 The premiere screening of Michelangelo Antonioni’s L’avventura in 1960 was one of the most infamously divisive in Cannes Film Festival history. While Antonioni’s opaque characterizations and languorous pacing retain their ability to befuddle uninitiated viewers, these qualities also marked the...

Dec 9, 2013 The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

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