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The Imp

Mar 24, 2015 Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.

Dec 3, 2014 “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Oct 21, 2014 There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Oct 21, 2014 Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Oct 16, 2014 This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 28, 2014 Jacques Demy’s first full-fledged storybook fantasy challenges and subverts traditional fairy-tale norms.

Jun 25, 2014 Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Mega Mizoguchi

In Theaters

May 1, 2014 Repertory PicksCinema lovers in New York will have their calendars full for the coming month. Museum of the Moving Image is hosting the most comprehensive United States retrospective of Kenji Mizoguchi films in decades. Usually named right below Akira Kurosawa...

Apr 21, 2014 A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

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