The Criterion Collection
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
Dec 23, 2019 — Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
May 23, 2018 — About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
On the Channel
Jul 17, 2025 — Among this month’s highlights are a spotlight on ’90s soundtracks, a celebration of Hong Kong icon Sammo Hung, and a retrospective of the work of Spanish auteur Bigas Luna.
On the Channel
Feb 18, 2025 — HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.
The Daily
Dec 5, 2024 — Jane Schoenbrun’s I Saw the TV Glow scores six Spirit Awards nominations and is the cover story in the new Film Quarterly.