Shadow

Oct 22, 2021 — Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...

Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...

Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Mar 19, 2007 — In 1945 Arthur Fellig, known as Weegee, a canny and gifted tabloid newspaper photographer, did something unprecedented: he assembled some of his best shots, of corpses and fires and arrests and crowds and spectacles, and made them into a book,...

Nov 16, 2006 — At the Museum of the Moving Image tonight, Peter Cowie is presenting his new book on Louise Brooks, Lulu Forever, and they are digitally screening our new Pandora's Box restoration with the Gillian Anderson score. I don’t think I’ve ever...

The Oscar-winning writer and director talks about Army of Shadows and Jean-Pierre Melville’s cinema of betrayal, shares his love for Denis Lavant's dancing in Beau travail, and selects favorites by Yasujiro Ozu, Ernst Lubitsch, and Nicholas Ray.

Steve Erickson is the author of Shadowbahn, Zeroville, and eight other novels that have been translated into a dozen languages. He is the chair of creative writing at the University of California, Riverside, where he teaches literature and film.

David Cairns is a critic and filmmaker. He blogs at Shadowplay and teaches in Edinburgh, Scotland.