Office

Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.

Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.

Jun 27, 2018 — The current series in New York is just a taste; the full picture’s on view in Spain.

Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.

Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Jun 21, 2018 — How much can a film turn the tide on American violence? Michael Moore and archivist Carl Deal reflect on the moral urgency that gave rise to one of the most talked-about documentaries of all time.

Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

Jun 12, 2018 — Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...

Jun 7, 2018 — Repertory Picks The road to divorce is paved with comedy gold in Leo McCarey’s The Awful Truth, playing tonight at the Princeton Garden Theatre in New Jersey. Plagued by suspicions of infidelity, an upper-crust New York couple (Cary Grant and...

May 24, 2018 — Repertory Picks This Sunday afternoon, in Louisville, Kentucky, the Speed Art Museum will treat moviegoers to a free screening of Jacques Tati’s 1967 PlayTime, the third and final movie in the museum’s tip of the cap to the French auteur’s...