The Criterion Collection
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
Mar 12, 2024 — In this profoundly emotional portrait of artist Nan Goldin, director Laura Poitras explores how her subject’s creative sensibility and commitment to activism spring from the same source.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.
Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...
Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.