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My Last Day

Sep 13, 2023 Early reviewers find that, while the master of animation’s twelfth feature may be hard to follow, it’s impossible to resist.

Sep 8, 2023 We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Sep 5, 2023 Pablo Larraín’s Golden Lion contender and upcoming series in New York and Vienna mark the fiftieth anniversary of the Chilean coup d’état.

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 21, 2023 Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...

Aug 18, 2023 This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.

Aug 11, 2023 Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 4, 2023 Look who’s talking: Carl Franklin, Claire Simon, Ira Sachs, Jim Jarmusch, Sally Potter, Laura Citarella, Christoph Hochhäusler . . .

Jul 25, 2023 A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.

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