The Criterion Collection
Sep 17, 2018 — Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.
The Daily
Jul 26, 2018 — The creator of Hamilton has lined up his directorial debut, a TV series, a book . . . the list goes on.
Jul 20, 2018 — American audiences weren’t ready for Barbara Loden’s Wanda when it premiered in 1970. A stark portrait of a working-class woman (played with raw conviction by Loden herself) who breaks free of a miserable marriage, only to find herself on the...
Features
May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.
The Daily
Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...
The Daily
Apr 10, 2018 — New York. A new 4K restoration of Liquid Sky opens at the Quad on Friday. “At last,” writes Alan Scherstuhl in the Village Voice, “after sitting out the DVD and streaming eras, Slava Tsukerman’s 1982 neon-fired New Wave New York...
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
The Daily
Mar 12, 2018 — As part of The Eyes of William Klein, the series running through tomorrow, the Quad presents Louis Malle’s Zazie dans le Métro (1960) tonight, the reason being, as Jon Dieringer points out at Screen Slate, Klein was “given the title...
Feb 26, 2018 — New York. He Who Gets Slapped (1924) screens this evening at Film Forum as part of the series Victor Sjöström: The Screen’s First Master. Lon Chaney “is brilliant as a man who has chosen madness over grief,” writes Jon Dieringer,...
The Daily
Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...