Break Out

Jun 10, 2014 — Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...

Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

May 1, 2014 — When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...

Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.

Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...