The Criterion Collection
The Daily
Apr 26, 2021 — Capping a months-long journey, Chloé Zhao’s Nomadland wins three top awards.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
The Daily
Apr 15, 2021 — Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...
The Daily
Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.
The Daily
Apr 5, 2021 — For the first time, all four individual film acting prizes have gone to people of color.
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
The Daily
Mar 26, 2021 — Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.
The Daily
Mar 16, 2021 — Calls for greater diversity in the Academy’s membership that began with the #OscarsSoWhite campaign have finally begun to bear fruit.
Features
Mar 8, 2021 — “I see the beauty now,” my mother told me when I asked her what she thought of Cicely Tyson’s face, about a week after the pathbreaking actor died in January at ninety-six. “But I didn’t then.” By “then,” she meant...