The Criterion Collection
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...
Production Notes
Apr 15, 2020 — 1.In 1944, after an intense bidding war, Twentieth Century-Fox studio head Darryl Zanuck acquired the film rights to Ben Ames Williams’s Leave Her to Heaven for $100,000, then an exorbitant price for an unpublished work. Later that year, Williams’s mystery...
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
The Daily
Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.
The Daily
Apr 9, 2020 — The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.
Apr 7, 2020 — Before the 1990s, the era when the power centers of fashion began to be much more numerous and dispersed, decades could be easily identified by the most prominent looks and cuts of their pervasive styles. The closet of the sixties...
The Daily
Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.
Mar 31, 2020 — Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...
Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...
The Daily
Mar 23, 2020 — The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.