The Criterion Collection
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Aug 14, 2006 — In terms of consistency of both the content and form of his films, Eric Rohmer is without a doubt one of the most distinctive auteurs in the history of cinema. As with the work of Yasujiro Ozu, within minutes—seconds, even—of...
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.
Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Essays
Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.
Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.
Essays
May 15, 2000 — Agnes Varda’s Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable...
Essays
Apr 26, 1999 — At some point in their lives, probably every sleepless person has switched on the TV in the wee hours of a weekend morning and chanced upon a fishing show. Invariably, a beefy, half-forgotten retired athlete shares a boat with some...
Apr 19, 1994 — Rivaled only by Fritz Lang and G. W. Pabst as Germany’s greatest director of the silent age, Friedrich Wilhelm Murnau was a tireless formal innovator exhilaratingly difficult to pin down. If his 1922 horror epic Nosferatu represented an apex of...