The Criterion Collection
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
On the Channel
May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...
The Daily
May 24, 2019 — In the spotlight this week: Barbara Rubin, Chantal Akerman, Kenji Mizoguchi, Dominik Graf, and Tomás Gutiérrez Alea.
Sneak Peeks
May 24, 2019 — In her quest for romantic connection, the protagonist of Claire Denis’s searching, slyly funny Let the Sunshine In—Parisian painter Isabelle (Juliette Binoche)—finds herself falling in with a series of hopelessly self-involved men: an oleaginous (and married) banker, an elegant (but...
The Daily
May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
On the Channel
May 20, 2019 — Professor David Bordwell unpacks the sophisticated design of Kenji Mizoguchi’s final masterpiece.
The Daily
May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.