Jun 5, 2017 Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.

Jun 2, 2017 A new online quarterly, Film Colossus, has launched with an issue focusing on movie endings. Travis Bean cites Clayton Dillard’s interview with Apichatpong Weerasethakul that ran in Slant last year, specifically the Thai filmmaker’s observation that “there are really two...

Jun 1, 2017 By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.

Jun 1, 2017 “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

Jun 1, 2017 The hallmarks of Japanese master Yasujiro Ozu’s mature style were solidified in this highlight from his silent period, playing this week in Washington, D.C.

May 31, 2017 New Taiwan Cinema master Edward Yang’s sophomore feature explores the conflict between tradition and modernity reflected in a relationship on the rocks.

May 31, 2017 New York. The BAMcinématek series Varda in California opens today and runs through June 13. The New Yorker’s Richard Brody recommends Lions Love (. . . and Lies) (1969): “Filming this docu-fiction in Los Angeles in June, 1968, the week...

May 31, 2017 Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.

May 31, 2017 Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.

May 30, 2017 Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

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