From Karkhe to Rhein

Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.

Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Jan 21, 2014 — For his leading role in Michael Mann’s Thief, James Caan had a lot more to do than just embody perfect cool. His character, Frank, is an ex-con with a particular aptitude for breaking into hard-to-crack safes. Unbeknownst to the actor...

Sep 19, 2013 — In a new interview on our release of Ingmar Bergman’s Autumn Sonata, the great Liv Ullmann delves into the making of the intense chamber drama, discussing what it was like to work with both the director and the legendary Ingrid...

Sep 13, 2013 — Did You See This?• John Bailey on game-changing movie cameras • Venice love from Claire Denis, Abbas Kiarostami, and sixty-eight others • John Le Carré takes on the world. • The tragic tale of Citizen Kane’s Dorothy Comingore • The...

Jun 12, 2013 — Among the special features new to our Blu-ray edition of Ingmar Bergman’s Wild Strawberries is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set. The images provide insight into how certain scenes were shot,...

Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Jan 17, 2012 — “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....