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Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Sep 16, 2016 — Did You See This? Over at The Quietus, director Joe Dante selects his thirteen favorite films, including David Lynch’s Mulholland Dr., Preston Sturges’s Sullivan’s Travels, and Ernst Lubitsch’s To Be or Not to Be. Angelo Badalamenti sits down with Vulture...

Sep 15, 2016 — From its formal and technical complexity to its potent social commentary, Mizoguchi’s early-career masterpiece The Story of the Last Chrysanthemum offers a rich learning experience for directors seeking to hone their craft.

Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.

Sep 8, 2016 — Mike Leigh’s 1990 comedy Life Is Sweet, showing at the Trylon microcinema as part of a monthlong retrospective of the director’s early films, presents an intimate portrait of working-class life in Thatcher-era north London.

Sep 2, 2016 — Returning for its first theatrical run in fifteen years, this ten-part meditation on the Ten Commandments centers on the residents of a housing complex in late-Communist Poland, charting the moral and philosophical dilemmas that arise as their lives intersect.

Sep 1, 2016 — The Loft Cinema kicks off a monthlong Jim Jarmusch retrospective with a screening of the director’s 1984 sophomore feature, Stranger Than Paradise.