Tony

Jun 11, 2007 — Over the past month or so, it seems as though glancing references to Criterion are popping up everywhere. This morning, I saw Bob Stein, one of the original founders of Criterion, in New York magazine, being interviewed for his fashion...

May 2, 2007 — At Criterion, producers spend a lot of time talking about each DVD release—from cover art and liner notes to the special features we present. In the case of the latter, we have a pretty elaborate system in place. We start...

Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.

Dec 21, 2006 — It’s the season when a lot of things arrive on five. Yesterday Tony, who does authoring for us, brought in gorgeously authored doughnuts from the Doughnut Plant on Grand Street, in flavors like marzipan and pomegranate jelly. John Gudelj, our...

May 22, 2006 — Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.

Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.

Mar 4, 2002 — Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.

Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

Apr 23, 2001 — Of all the actors to try their hand at producing, Kirk Douglas may have been the most audacious. Spartacus illustrates his taste for unorthodox material, and the story behind the making of the movie reveals a great deal about Douglas’...

Apr 23, 2001 — In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The film came as a redemption for Dassin: a one-time promising young director cranking out B-movies under an MGM contract ("They were...