The Criterion Collection
Apr 29, 2025 — A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.
Essays
Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.
The Daily
Apr 25, 2025 — A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.
The Daily
Apr 22, 2025 — Adaptations, Hollywood histories, and Satyajit Ray’s cover designs feature in this month’s roundup.
Apr 16, 2025 — The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.
The Daily
Apr 7, 2025 — He played Iceman, Jim Morrison, Doc Holliday, and even Batman as no one else would or could have.
The Daily
Apr 4, 2025 — Henry Fonda and Shinji Somai headline a week that also brings new issues of frieze and the Brooklyn Rail.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.