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The Human Being

Dec 30, 2003 Akira Kurosawa was a man of his time, who participated fully in the artistic and intellectual world of Japan from the 1930s until his death in 1998. Although filmgoers may think of him in terms of the screen images he...

Jul 29, 2002 Viewing Kon Ichikawa’s film of the 1964 Summer Games in Tokyo, it is apparent that even then his main idea (despite the more than 150 cameras available to him) was to present a fragmented picture of the Games, rather than...

Aug 20, 2001 Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

W. C. Fields

Essays

Aug 28, 2000 The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Dead Ringers

Essays

Oct 12, 1998 Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.

RoboCop

Essays

Sep 8, 1998 Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Dec 15, 1986 It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

May 27, 2026 Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

Oct 24, 2025 It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.

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