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Tell Me Who I Am

May 8, 2019 Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...

Varda by Agnès

The Daily

Feb 13, 2019 The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.

Dec 28, 2018 Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Sep 7, 2018 F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Jul 25, 2018 And Orson Welles’s The Other Side of the Wind will finally see the light of day.

Nov 6, 2017 “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Jul 20, 2017 Director Ken Loach and his longtime screenwriting partner Paul Laverty, recipients of this year’s Crystal Globe award at the Karlovy Vary International Film Festival, speak about the complex relationship between politics and cinema.

Jun 3, 2016 During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...

May 24, 2016 In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

Jul 23, 2014 Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.

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