Aug 21, 2023 Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...

Aug 11, 2023 Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Aug 8, 2023 Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Aug 4, 2023 Look who’s talking: Carl Franklin, Claire Simon, Ira Sachs, Jim Jarmusch, Sally Potter, Laura Citarella, Christoph Hochhäusler . . .

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Locarno Highlights

The Daily

Aug 1, 2023 This year’s festival will premiere new work from Lav Diaz, Radu Jude, and Lucy Kerr and host conversations with Harmony Korine and Tsai Ming-liang.

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 25, 2023 A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.

Jul 25, 2023 The protagonists in Budd Boetticher’s five classic Columbia westerns are paired with opponents who, venal though they may be, almost always have their reasons.

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