Opening Night

Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Feb 25, 2019 — Turns out, not everyone loves a winner.

Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 25, 2019 — Retrospectives in New York and Glasgow offer opportunities to catch up with or revisit the work of an outstanding director of comedies.

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...