The Criterion Collection
The Daily
Apr 6, 2026 — New York’s Film Forum screens thirteen features by the master of urbane comedy.
The Daily
Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.
On the Channel
Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.
The Daily
Apr 5, 2018 — Variety’s Elsa Keslassy broke the story yesterday, and now the Cannes Film Festival has confirmed it: Asghar Farhadi’s Everybody Knows with Penélope Cruz and Javier Bardem will open the seventy-first edition on May 8. Shot “in Spanish on the Iberian...
Jan 23, 2018 — “For the second consecutive year, Sundance showed an Academy-ratio film with Ghost in the title, but Bridey Elliott’s feature directorial debut Clara’s Ghost is decidedly not A Ghost Story,” begins Filmmaker’s Vadim Rizov. “Bridey stars along with father Chris, sister...