The Criterion Collection
Dec 21, 2009 — Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
The Daily
Dec 18, 2025 — Checking in on lists of the best films, performances, scenes, scores, restorations, and more.
The Daily
Aug 16, 2024 — While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.
The Daily
Sep 30, 2020 — The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...