King

Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...

Mar 5, 2018 — Guillermo del Toro’s The Shape of Water has won four Oscars, including best picture, directing, production design, and score. The nominations were announced in January, and you can scan that full list here. Below, a quick overview of all of...

Mar 2, 2018 — “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Feb 28, 2018 — New York. Neighboring Scenes: New Latin American Cinema opens tonight at the Film Society of Lincoln Center and runs through Sunday. Writing for the Notebook, Ela Bittencourt points out that “a number of films stand out for either their carefully...

Feb 27, 2018 — “Orson Welles, a boy from Kenosha, Wisconsin, was one of the most audacious Shakespearians who ever lived,” writes Robert Horton. “He recited soliloquies as a child, wrote a book on the plays as a teenager, and at age seventeen roamed...

Feb 18, 2018 — Martin McDonagh’s Three Billboards Outside Ebbing, Missouri has scored five EE British Academy Film Awards (BAFTAs). This year’s nominations were announced early last month, and you can scan that full list here. Below, a quick overview of all of tonight’s...

Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...

Feb 15, 2018 — Think of The Grand Budapest Hotel (2014) and pink pastels, purple uniforms, and the occasional splash of red may come to mind, offset by the ochres and faded wood grains of the scenes that frame the main story. Moonrise Kingdom...