The Criterion Collection
Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...
The Daily
Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
The Daily
Jul 21, 2023 — Names in the news this week: Agnès Varda, Hayao Miyazaki, Jafar Panahi, Savanah Leaf—and Bree Daniels.
The Daily
Jul 20, 2023 — The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
Apr 27, 2023 — Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
The Daily
Feb 23, 2023 — Notes on new features from Christian Petzold, Angela Schanelec, Margarethe von Trotta, and Volker Koepp.
Jan 3, 2023 — A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.