Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 26, 2023 In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.

Sep 26, 2023 The winner of a Special Jury Prize in Venice and a box-office hit in Poland now heads to the New York Film Festival.

Sep 21, 2023 This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.

Sep 21, 2023 Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...

Sep 18, 2023 Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.

Sep 13, 2023 Early reviewers find that, while the master of animation’s twelfth feature may be hard to follow, it’s impossible to resist.

Sep 12, 2023 Cord Jefferson’s American Fiction and Kristoffer Borgli’s Dream Scenario are received in Toronto with applause, laughter, and a few reservations.

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Aug 25, 2023 This week brings restorations of work by Kira Muratova, a personal story from Werner Herzog, and conversations with Kim Morgan and Dustin Guy Defa.

Current Page
47
of 208

You have no items in your shopping cart