Divia

Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.

Apr 16, 2021 — Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Dec 29, 2020 — Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.

Dec 8, 2020 — Swiss-Moroccan filmmaker Halima Ouardiri’s short documentary Mutts is a captivating portrait of a shelter for stray dogs in Morocco, elegantly shot in a sunbaked color palette of rich golds and browns. The film, which makes its premiere on the Criterion Channel this week in...

Nov 10, 2020 — Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....