After

Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Mar 25, 2025 — The Cinémathèque presents six shady tales from the 1970s.

Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.

Mar 24, 2025 — A series coprogrammed by Bonjour Tristesse director Durga Chew-Bose “celebrates the beauty and myth of the Riviera.”

Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.

Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.

Mar 17, 2025 — Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.

Mar 14, 2025 — Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.