The Criterion Collection
Essays
Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
The Daily
Jul 24, 2017 — In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
The Daily
Nov 14, 2025 — This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.
The Daily
Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.