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Apr 26, 2013 — Did You See This?• Max von Sydow goes to L.A. • The Game, for “real” • The Blob, for real • Style icons from Cary Grant to David Bowie • Get your Tilda on • Making it big in New...

Apr 25, 2013 — Repo Man comes on like a bat out of hell. The opening credits are driven by the instrumental version of Iggy Pop’s propulsive "Repo Man Theme,” a song that immediately establishes the film’s punk identity. It’s hard to imagine the...

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....

Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.

Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.

Whether faithful adaptations or daring reimaginings, these are films that deserve to be appreciated alongside their printed progenitors.

Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...