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Inte Ett Riktigt Jobb

Feb 11, 2002 The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.

Jan 21, 2002 A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.

The Last Wave

Essays

Nov 26, 2001 Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.

Oct 29, 2001 Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.

Oct 15, 2001 The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.

Notorious

Essays

Oct 15, 2001 Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

Oct 15, 2001 The French director’s crime film conveys both the flow and the form of the prison experience.

Sep 17, 2001 Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.

Aug 20, 2001 Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Aug 20, 2001 Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.

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