The Criterion Collection
In Theaters
Apr 13, 2017 — Repertory Picks On Sunday evening, as part of the monthlong series In Transit: Refugees on Film, the UCLA Film & Television Archive will screen a 35 mm print of Jean-Pierre and Luc Dardenne’s La promesse (1996). Set in the filmmakers’...
Apr 12, 2017 — British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.
Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Apr 7, 2017 — Did You See This? Radley Metzger, the erotica pioneer who took soft core and hard core to new heights of artistry, has passed away at the age of eighty-eight. The New York Times remembers the director’s career, which began in...
Apr 7, 2017 — Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.
In Theaters
Apr 6, 2017 — Repertory PicksOn Sunday evening, Alfonso Cuarón’s sultry road movie Y tu mamá también (2001) will roll into the Wilmette Theatre in Wilmette, Illinois. After helming two Hollywood productions that focused on the process of growing up—an imaginative adaptation of the...
Apr 5, 2017 — An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.
On the Channel
Apr 4, 2017 — Through an alchemy of stylistic flair and creative restlessness, Seijun Suzuki was able to transcend the by-the-numbers material he was assigned as a director at Japan’s oldest film studio, Nikkatsu, to become one of the most electrifying genre auteurs of...
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.