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The Goalkeeper’s Fear of the Penalty

Michelle Parkerson is an award-winning filmmaker based in Washington, D.C., whose work has screened at the Sundance Film Festival, the Berlin Film Festival, and the American Film Institute. She has documented the lives of LGBTQ icon Audre Lorde (A Litany...

Mark Asch is the author of the New York Movies volume of the Close-Ups series of film books and a contributor to Film Comment, Sight and Sound, Reverse Shot, Filmmaker, Screen Slate, and other publications.

Historian and essayist Enrique Krauze was born in Mexico in 1947. He is the author of Mexico: Biography of Power (1997) and Redeemers: Ideas and Power in Latin America (2011), among many other books, and is the editor in chief...

Kenneth Lonergan is a playwright, screenwriter, and the director of three movies and counting.

Emily Nussbaum is the Pulitzer Prize–winning television critic for the New Yorker. She is the author of I Like to Watch: Arguing My Way Through the TV Revolution.

Jim Shepard is the author of seven novels, including The Book of Aron, and five collections of stories, including The World to Come. He teaches at Williams College.

Alexander Nemerov is the author of Icons of Grief: Val Lewton’s Home Front Pictures (2005), Soulmaker: The Times of Lewis Hine (2016), and Summoning Pearl Harbor (2017), among other books. He is the chair of the Art and Art History...

Steve Massa is the author of Slapstick Divas: The Women of Silent Comedy and Lame Brains and Lunatics: The Good, The Bad, and The Forgotten of Silent Comedy. He has organized and curated comedy film programs for the Museum of...

Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of Edinburgh, and a contributing writer for Cineaste magazine. His books include Discomfort and Joy: The Cinema of Bill Forsyth (2011) and The New...

Elena Gorfinkel is a senior lecturer in film studies at King’s College London and the author of Lewd Looks: American Sexploitation Cinema in the 1960s. Her criticism appears in Sight & Sound, Art Monthly, Cinema Scope, and other publications.

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