The Criterion Collection
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
In Theaters
Aug 16, 2018 — The Cleveland Museum of Art salutes the late Italian master Ermanno Olmi with a screening of Il posto, a touching and wisely funny look at the trials of work.
Criterion Designs
Aug 14, 2018 — When we asked the beloved fashion illustrator to work on our cover for Tony Richardson’s Tom Jones, he delivered a playful look that matches the film’s modern sensibility.
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.
In Theaters
Aug 2, 2018 — The Swedish master finds desire and despair in the fashion world in a key transitional film from 1955.
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
Production Notes
Jul 25, 2018 — After languishing for decades in John Waters’ attic, never-before-seen footage from the set of Female Trouble has made its way onto our newly released edition of the film.
Jul 22, 2018 — Sex, shame, and sibling rivalry: actors Andie MacDowell and Laura San Giacomo talk about capturing the layers of conflict and taboo in Steven Soderbergh’s debut feature.
Jul 18, 2018 — Alan Rudolph is a pioneer in the American independent film movement. He has directed nineteen narrative features and one feature-length documentary. His films have been presented in major international festivals for forty years and are noted for their fluid style,...