The Criterion Collection
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
The Daily
Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.
Oct 8, 2021 — From Richard Linklater to Isabelle Huppert, some of cinema’s most beloved figures have shown their commitment to the art form by operating venues with stellar repertory programs.
Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...
The Daily
Sep 28, 2021 — Adoption was the first Hungarian film to compete in Berlin—and the first film directed by a woman to win the Golden Bear.
Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.
The Daily
Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.