The Criterion Collection
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
The Daily
Oct 10, 2019 — The rights to Jonathan Lethem’s novel were secured twenty years ago, and now that film is finally rolling out, reviews are mixed.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
The Daily
Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”
Sep 20, 2019 — A fresh reading of Dr. Caligari, a deep dive into War and Peace, Terry Zwigoff’s “immersive screenings,” and Beyoncé’s multimedia project are among this week’s highlights.
The Daily
Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.