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The Last Laugh

Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

May 27, 2020 — In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...

Michael Lennick, 1952–2014

Production Notes

Nov 13, 2014 — Michael Lennick, visual effects supervisor, writer, filmmaker, self described sci-fi geek, and friend of the Criterion Collection, died last week in Toronto. Early in his career, Michael created special video effects for David Cronenberg’s films Videodrome and The Dead Zone....

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Turning Points

The Daily

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

May 19, 2026 — “Last night, I was in the Kingdom of Shadows,” proclaimed Maxim Gorky, writing about an 1896 projection of films by Auguste and Louis Lumière in the Russian city of Nizhny Novgorod. “Suddenly a strange flicker passes through the screen and...

May 17, 2011 — “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

Jul 8, 2025 — The maestro of existential dread is celebrated in New York, Vancouver, and Columbus, Ohio.

Tokyo in New York

The Daily

Oct 17, 2019 — Two series offer a wide range of thematic and historical perspectives on the Japanese capital.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

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