The Criterion Collection
Essays
Nov 23, 2010 — Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.
Short Takes
Nov 10, 2009 — “If American independent cinema could be said to have a birthday, November 11 is as good a date to celebrate as any,” writes Elbert Ventura in a terrific new article in Slate. The occasion is the fortieth anniversary of the...
Short Takes
Oct 21, 2009 — Starting today, Paris is catching Fellini fever. The Cinémathèque française, the Jeu de Paume museum, and the Italian Cultural Institute of Paris are joining forces to pay an extended tribute to the Italian maestro. The Jeu de Paume exposition, Fellini,...
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...
The Daily
May 18, 2020 — The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.