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Point Break

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

June Books

The Daily

Jun 21, 2023 The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.

Jun 14, 2023 In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.

Jun 8, 2023 The robust oeuvre features performances from Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gérard Depardieu, Hanna Schygulla, and Ornella Muti.

May 26, 2023 This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.

May 19, 2023 In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

May 18, 2023 A half-hour western, a challenging essay film, and a 3D portrait of a major artist premiere as Special Screenings in Cannes.

Apr 25, 2023 Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.

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