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Feb 21, 2023 — On the verge of implosion, the band rages through a performance of their song “Circle Sky” in a psychedelic, politically trenchant sequence from director Bob Rafelson’s debut feature.

Feb 14, 2023 — Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.

Feb 13, 2023 — Spirits of the dead, obsessive lovers, and fiery dancers ignite the screen in the work of the great Spanish filmmaker.

Feb 9, 2023 — New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”

Feb 7, 2023 — One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.

Feb 3, 2023 — This week: Jean-Luc Godard, Sara Driver, Kira Muratova, Joyce Chopra, and a new Senses of Cinema.

Jan 31, 2023 — In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Jan 26, 2023 — With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.

Jan 24, 2023 — The German contingent is strong: Margarethe von Trotta, Christian Petzold, Angela Schanelec, Christoph Hochhäusler, and Emily Atef.