The Criterion Collection
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Features
Sep 4, 2013 — Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.
Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
In Theaters
Jun 21, 2012 — Austin film programmer Jesse Trussell tells us about what goes into curating this long-running series.
Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...