Jul 7, 2021 In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...

Jul 6, 2021 The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Jul 6, 2021 As the festival adds one last title to its lineup, attendees, vaccinated or tested, are once again streaming up and down the Croisette.

Jun 24, 2021 And we have more news from Locarno, Telluride, and San Sebastián.

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

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The Daily

Jun 16, 2021 We’re catching up with news of projects in the works from Todd Haynes, the Dardennes, Rebecca Miller, Todd Solondz, and Gina Prince-Bythewood.

Jun 11, 2021 “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 7, 2021 The Cannes sidebar focusing on promising newcomers presents its sixtieth-anniversary selection.

May 27, 2021 First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

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