Dec 4, 2024 For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.

Sep 3, 2024 The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.

Aug 22, 2024 This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.

Jul 11, 2024 Metrograph’s series celebrates the legacy of one of the most notorious cinema clubs in London.

May 4, 2023 The Thai artist and director picks ten features to screen alongside his own work in New York.

Feb 13, 2023 Desperately seeking community in her college years, the writer discovered the world of experimental cinema when she stumbled on a short-film program at an art-house in Manchester, England.

Jan 3, 2023 A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.

Sep 28, 2022 This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.

Jul 15, 2022 This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jun 28, 2022 Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

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