The Criterion Collection
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
Feb 25, 2020 — In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...
The Daily
Feb 24, 2020 — The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.
Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...
The Daily
Jan 24, 2020 — This week we’re looking at new work from Víctor Erice, the varied oeuvre of Agnès Varda, the cinematic lighthouse, the making of Before Sunrise, and more.
Features
Jan 24, 2020 — All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...
The Daily
Jan 17, 2020 — Cocteau in the ’50s, Jane Fonda in the ’60s, and Dustin Hoffman and Meryl Streep in the ’70s feature in this week’s round.
Jan 16, 2020 — Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...
The Daily
Jan 2, 2020 — Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...