The Criterion Collection
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
Oct 29, 2018 — Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
The Daily
Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...
The Daily
Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...
The Daily
Jan 30, 2018 — With Phantom Thread opening in the UK on Friday, Screen’s Andreas Wiseman gets Daniel Day-Lewis talking about working with Paul Thomas Anderson. “There’s nothing mad you can do that he won’t encourage you to be madder. I love that. You...
Jan 25, 2018 — “Few filmmakers earn the adjective ‘offbeat’ as definitively as the Zellner brothers, David and Nathan, whose new Western (premiering at Sundance), Damsel, is a goof on the genre in which no trope is left unmolested and nothing goes the way...
Jan 19, 2018 — “Rachel (Kathryn Hahn) and Richard (Paul Giamatti), the beleaguered bohemian-geek couple at the center of Private Life, have been trying, through fertility treatments, to get pregnant for years,” begins Variety’s Owen Gleiberman. Private Life “is a comedy of fragile hopes...
The Daily
Nov 29, 2017 — The National Board of Review, established in 1909 and now boasting over 100 members, has named Steven Spielberg’s The Post as the best film of 2017. The Post won’t open until December 22 and reviews are embargoed until this coming...
The Daily
Nov 28, 2017 — If, as Variety’s Ramin Setoodeh suggests, the Independent Filmmaker Project’s Gotham Awards are “the Iowa caucus of Oscars season,” then the frontrunners of the moment are Luca Guadagnino’s Call Me by Your Name and Jordan Peele’s Get Out. The latter’s...