The Criterion Collection
The Daily
Jun 3, 2019 — Wisdom from the Pope of Trash, the making of Raging Bull and The Wild Bunch, and studies of Tarkovsky and the Berlin School all figure in this month’s round.
Features
May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
The Daily
May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.
The Daily
May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.
The Daily
May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...
Apr 30, 2019 — With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.