The Criterion Collection
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
The Daily
Sep 13, 2019 — Lucrecia Martel, Annette Michelson, Satyajit Ray, and Joanna Hogg feature in this week’s round.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Aug 30, 2019 — In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Despite this, the majority of Japanese people remained avid consumers of American movies and Western fashion, which exasperated the militarists in power. A...
The Daily
Aug 23, 2019 — A good number of the pieces that have stood out this week examine the ways that music and cinema have informed each other’s traditions.
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
Jun 27, 2019 — Members of the cast and crew of Hedwig and the Angry Inch discuss the film’s defiant approach to questions of identity and politics.
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...